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# Cailee Spaeny Kicks Off The Next Leg of "Priscilla" Promotion in London
- URL: https://go-fug-yourself.ghost.io/cailee-spaeny-kicks-off-the-next-leg-of-priscilla-promotion-in-london-10-2023/
- Published: 2023-10-10T14:00:38.000Z
- Updated: 2023-10-09T20:57:47.000Z
- Description: Let's discuss.
- Author: Jessica  
- Tags: fugs, #wp, #wp-post, #Import 2026-10-07 08:24

First: She can promote this because it's not a struck project and SAG isn't in conflict with its studio.

Second: She does look very young, but is in fact 25.

Third: Apparently, [*Priscilla* is excellent and not particularly pro-Elvis,](https://variety.com/2023/film/reviews/priscilla-review-sofia-coppola-cailee-spaenee-jacob-elordi-venice-film-festival-1235712524/?ref=go-fug-yourself.ghost.io) which I know was a matter of concern last time this was discussed. (Or, at least, is not a hagiography of Elvis; it seems nuanced, which is what I would expect from Sofia Coppola.)

Fourth: While I think Cailee looks very pretty here, and this is a good dress objectively speaking, if I were her stylist, I think I'd veer away from anything even remotely retro. I'm not saying that I'd put her into something insanely editorial, or like a one-legged catsuit with a box on her head, but this specific sort of look feels tonally similar to the role she's promoting, and this film is basically her big break -- now is you want to establish her as her own personality. ([Margot Robbie, on the other hand, could really go for it with Barbie](https://go-fug-yourself.ghost.io/everything-margot-robbie-wore-to-the-barbie-premieres-07-2023/) because she's already so personally established as a celebrity.) Do you agree? I'd be interested to hear.

Fifth: I actually really love this detail, which I can only describe as Boob Chandelier.

![](https://static.gofugyourself.com/uploads/2023/10/GettyImages-1726532681-1696885003.jpg ""Priscilla" Special Presentation - 67th BFI London Film Festival")

But I realize I might be bananas for that.

*(Photos by Gareth Cattermole/Getty Images for BFI, Dave Benett/WireImage)*