I mean, that is amazing to behold, even though it's not an elaborate design that's straining to prove its own inventiveness. PLEASE, Angelina. You would KILL IN IT.
From another angle. That skirt is doing fabulous things.
And then, some architecture, as promised.
And then she woke up on the hood of a brand new Lexus at Christmas and thought, "My life has taken a strange turn."
I hate that every single line basically has to have something that involves "TEE HEE LOOK AT MY VAGINA PANTS."
And that is like labia hatching another labia.
You know I am enraged by the shoes, of course, but the suit/dress is just really crisp yet swingy. The roses make it very Cannes Daytime Photocall.
And that's the nighttime version.
They are really feeling the whole Opening Of The Petals thing. I wonder if that ties in metaphorically to the ones that showcase the model's actual ladypetals.
That is ALSO very Angelina.
And the silvery version.
That's an elegant take on a politics power suit.
This is nuts -- it's like she has a second spare body tucked away under there, just in case her first one breaks or something -- but it's also hypnotic.
I don't love the pants, but I do love the neckline.
I love that there is more fabric on her shoulder and her hip than on the rest of her. It's like a photonegative of what OUGHT to be.
Very lovely.
Quoth the Raven, "Nevermore am I diving headfirst into some woman's shoulder. That was so stupid."
I do love a cravat.
That neckline could be very Jolie as well, because obviously since she wore them first (in my memory's timeline anyway) then she's the only celeb coming to mind. Um. It could also be Dita Von Teese. Or Kate Beckinsale.
Look at that lovely bodice. This whole thing is an eruption of detail that must have been so exquisite to watch in motion.