
The whole time I was looking at this, I kept thinking I'd seen it before. I don't think I have, but I realized it's evocative of bits of other things: a pinch of this, a dash of that, and a soupcon of this (but fortunately, ZERO of this). The fit of the skirt is working for me, and it really flatters her awesome curves. The bodice is also a lot more flattering than what she usually picks, but there's also a lot going on there: a necktie, some lace, sleeves, transparency... does the fact that it's all black keep it from being too much of a muchness, so to speak, or do we still need to remove an element? Perhaps the back view will inform you.

I really hate that shirt from this angle.

However, her face and hair are still aces. I think -- much like with Chastain, actually -- that's why I get so nitpicky with her. Those genes do not receive sartorial support that is equal to their glories.
Parenthetically, I cannot imagine how much it costs her to maintain that red all the time. It's the hardest color to keep, which I think is why the Kidmans and Lohans (and even Emma Stones) of the world give up after a while or at least take extended breaks. Hopefully Mad Men amply subsidizes it, because if she suddenly goes blonde in two years I will be so very sad. Christina may not have been born red, but she was certainly born to BE red.
