
This feels a little too aggressively like it's trying to Be Something -- and at what I believe was a daytime event, also. There are just too many cutouts all over it; sometimes this stuff speaks of a lack of design confidence because it reads like the person didn't know when to put down the scissors. And when your hair is that good, why are you twisting it into THAT braid?

Nice dickey.

Oh, just Viola Davis being cool again, just like always.

Ooh. Not sure that a daytime TCAs event is the place for blood lace and your ab window.

I don't know why, but this feels like am unfinished Shel Silverstein poem.

I feel like I've seen this on other people, too, and it always turns them into boxes with legs.

I really don't like those pants. But her two dresses from the weekend were SO CATASTROPHIC, and the shirt and makeup here are so nice on her, that I'm going to accept this calmly and move along.

She looks great -- better as herself than as Bonnie. I wish I'd gotten a picture where she didn't look surprised -- the close-ups were all the ones where she's smiling, and so you couldn't see the outfit.

I love him in this suit, and I love him on Galavant.

That just looks like Go Go Gadget Choker to me.

This halfway works for me. I wish the prime meridian there didn't go below the equator, because it seems to stop RIGHT where her fun begins and it's distracting.

Yes, Sarah. I'm startled by the pants too.

The white drape is harshing this for me. Partly because it looks too imprecise.

Divine.

I have reservations about Fuller House, and I have reservations about this dress, and I can't tell which are larger.

She looks GREAT and it's an instance where the beige (ish) pump actually makes sense and works. HALLELUJAH. HISTORY IN THE MAKING.

I ALSO love HER on Galavant, but I can only attribute the dress to evil sorcery.

And if you are not watching Galavant, here is one of the absolute top reasons to do it. HE IS A GENIUS. And his suit is natty.
