
All the super-dark lipstick was very well deployed. It suits Rachel surprisingly well. I also enjoy this dress -- it looks a gorgeous textile primer on witchcraft. Although I JUST NOW realized I can also see France.

This is pretty, and yet I never really respond with my whole heart to that dishwatery tulle color. Imagine it in green.

Okay, this is also a good base, but it needs a huge hoik. Sitting the way it does, it's giving the impression that her chest lives in places I do not believe to be accurate.

This seems EXACTLY right for her. I'm guessing the funky sheen it achieves is part of the technology of the gown.

This reminds me ENORMOUSLY of Diane Kruger's red Reem Acra from the Oscars. I think I like this one better because it doesn't spotlight the pelvic bone as much.

No no, the red eyeshadow trend was from awards season. Now it's no eyebrows. JEMIMA. Update your memos.

This is like the Halloween costume of the Met: "What am I? Who knows. Do I look good? Then fine."

I love her so much from The Good Wife, but I wish she'd gotten to make more of a statement. This is The Paley Center Celebrates The Finale Of The Good Wife, not a Met gown.
