
I just wanted to start with James Norton's face. So sad. So stoic. So very very very very hot. I just want to throw my face against his face.

Okay, back to the beginning. I love it when shows begin with a helpful chyron letting us know where -- and when -- we are, and what Napoleon may or may not be up to.

Additionally, it is beyond me how this show isn't sponsored by Viking River Cruises. THERE'S A RIVER RIGHT THERE.

You guys, there will be a time when The X-Files and War & Peace will be on at the same time, and I can only imagine that at some point I'm going to get confused that Scully is holding a variety of salons for upper-crust Russians. (Stephen Rea, by the way, is kind of a hoot in this role, as a grasping, plotty plotter.)

These are his kids and they're totally banging. I'd like to note that Tuppence Middleton looks very pretty -- this dress is great -- but she's SO CLOSE to wearing a menorah on her head here.

I have to wonder what the hat budget was for this mini-series. My guess is approximately A SHITLOAD. Just you wait. JUST YOU WAIT.

So, Pierre -- just seen in his spotted waistcoat -- has lived a life of debauchery in his time, despite also being a kind of nerdy dude who has a LOT of Political Thoughts that he can't stop sharing with people. And this vision of the parties he once attended made me worry that whomever was in charge of staging this scene has never BEEN to a party. RARELY do people sing to a window that's been liberated from its frame. This looks like the marriage of Les Mis and Love It Or List It.

In the book, Natasha -- Lily James, there in the middle -- is like 12 in this scene. Aging her up for the mini-series was wise. And it's nice that she looks so happy here, because SPOILER she is going to GO THROUGH SOME STUFF in the next three weeks. War & Peace really is very very VERY dishy, you guys. Tolstoy often goes for THE MOST soap operatic choice possible and for that I salute him.

Sonya here is Natasha's Sad Orphan Clown Cousin and in case you forgot that, they've made her wear this hideous thing so you remember. NO ONE but a Sad Orphan Clown of a Cousin in a dishy novel would wear that combination of patterns.

She DOES, at least, get to make out with her cousin -- who's a bit of a prat - in the greenhouse, though, and I'd like to thank this show for wasting no time and getting directly to people making out in bushes. These two hours also brought us someone getting stabbed (in battle, but still), duels being challenged, incest, and people screwing on a table, so don't ever say Tolstoy never did anything for you.

Pierre's father dies -- CONVENIENTLY -- and legitimizes him, leaving him a title and a vast fortune, and it was at this point that I said to Heather, "Tolstoy spins a good yarn." It's very smart to introduce your sort of sad sack-y but idealistic protagonist who (it seems) is about to get cheated out of his inheritance...and then give it to him and see what happens. I know that "Tolstoy is a good writer" is hardly a revolutionary statement, but I think that often "old Russian books" starts to mean "dense, boring homework," and certainly [from what I recall] parts of W&P ARE a bit dense, but my personal opinion is that its place in the canon as one of the greatest novels ever is legit. It's highly entertaining. Also, as you can see, there are night caps of the literal variety.

YOU ARE SO HANDSOME AND YOU ARE SO SAD.

Jim Broadbent plays Andrei's father, and he has a wonderful housecoat and a very eccentric office, which I love. I will also note that I think Jim Broadbent is the platonic ideal of a lovely and loving paternal figure for me. (Even in Moulin Rouge, he feels BAD about selling Nicole Kidman, more or less, to the Duke.) When he cries, I cry.

We also need to talk about what Natasha's parents are wearing around the house. LOOK AT THEM. WHAT IS HAPPENING? Suddenly, I want tea from a samovar.

HIDEOUS.

"Harvey! How much did you spend on this?!?!" "Leave me alone. I know what I'm doing."

It takes a lot of man to look THIS HANDSOME in a hat THIS DUMB.

I'd also like to note that I basically own one of those jackets, from back when J Crew was really good and also ripping off Chanel, and HOW CUTE would these look with jeans? Just saying.

LOOK AT THIS ROOM! (I have this variety of molding on my bedroom walls. Just...much, much, much less gloriously.)

THESE TWO ARE BROTHER AND SISTER. I just felt the need to remind you of that.

"So, Pierre, tell me. Do YOU think the chupacabra is real? Because I'm skeptical."

Brother-lover Helene ALSO loves a headpiece, remember? Get ready, because this is very low-key compared to what she's going to drag out later.This is...VERY Lady Mary-adjacent.

I also just wanted you to know that Natasha's family -- in addition to wearing all kinds of intriguing house coats and caftans -- ALSO has a really stellar collection of vases.

"Wait, what am I doing here?" "Just stand in the field, James, and look REAL SAD. And handsome. Handsome and sad." "Do I need to say anything?" "NO. HOLD YOUR FACE STILL."

Now that Pierre is rich, Stephen Rea is forcing Helene to make him fall in love with her, because he's a very good match now. That apparently involves a LOT of fur turbans, and god bless. It's not a Russian Soap Opera without an incredibly high fur hat budget.

Russian seduction in 1805 apparently also involved tricorne hats. Which seem so Napoleonic to me, and ergo sort of like -- for the Russians -- deciding to go out wearing a Hitler mustache, but maybe they're only associated with Napoleon now because he won, and were actually just generally in style at the time. LOOK. WE LEARNED STUFF.

That is a great cameo pin. It is also at this dinner that Helene's father just up and announces to everyone that she and Pierre are ENGAGED! Even though he never asked. That is some BOLD social maneuvering, because if the gentleman in question admits he hasn't asked....well, everyone is in a mess. Including, I suppose, him.

"I'm writing a letter?" "Yes, to your wife that you don't really care about. But you do feel BAD that you don't care about her." "Why am I writing to her?" "Because you're pretty sure you're going to die the next day and also you basically kinda really want to die. Whatever you do, don't forget: LOOK HANDSOME. Also sad." "I KNOW."

Sigh and swoon. LOOK AT WHAT SHE'S WEARING ON HER HEAD, YOU GUYS. It's huge, and it's tremendous, and somewhere, another Middleton snorts that she's REAL relieved it never came to this for HER.

LOOK AT THESE MATCHING GIANT DRESSERS! LOOK AT THAT BED ALCOVE! Can I change my art-deco Spanish style Los Angeles apartment into a salute to early 19th century Russian style now? Is that feasible? I HAVE THE MOLDING and also a fur hat?

And VOILA. Obviously, we need to talk about Helene's head. I don't know if this is a nightcap, or if this is something she wears under a wig or while she's doing her make-up or...what????? Suffice to day, IT'S AMAZING and also hideous and also confusing, which is basically everything I want from costumes in a period piece.

Now you know the truth: I only recap shows where people wear fantastic dressing gowns.

A lot of cleav for dinner from Helene here. She's very subtle, no? This is nearly lingerie. Which I suppose is apt, as Helene is basically a nymphomaniac, but honestly. She COULD dial it down a notch? People are trying to eat.

This is Dolokhov, Pierre's friend who ends up sleeping with Helene (ON THE DINING ROOM TABLE, in a scene that was definitely not in the book, but good for them), and you guys? I keep thinking this guy is Jack Black (he is not, obviously). It kind of ruins the mood. No disrespect to Jack Black. But can Jack Black survive a duel with Paul Dano, which is OBVIOUSLY going to happen given that Jack Black has banged Pail Dano's wife among the good china? FIND OUT NEXT WEEK.
