The 2005 Premiere of Walk the Line

Reese Witherspoon and Ryan Phillippe

Because I know you want to know the answer to this, they have about a year left before they announce that they're breaking up. (I always wondered if Ryan, ultimately, couldn't deal with Reese's tremendous success, and her professional ambition.) Anyway, Reese looks super here and her shoes are great.

Mandatory Credit: Photo by Peter Brooker/Shutterstock (558947ag) Reese Witherspoon and Ryan Phillippe 'WALK THE LINE' FILM PREMIERE AT THE AFI FESTIVAL, LOS ANGELES, AMERICA - 03 NOV 2005

Reese Witherspoon

Meanwhile, THESE shoes are VERY dull.

Ryan Phillippe and Reese Witherspoon

Back on track! (Reese was really feeling bows in 2005. Having said that, this dress is pretty timeless; she could wear it today.)

Joaquin Phoenix

Joaquin Phoenix, on the other hand, is stuck in the land of Turn of the Century Too Large ManSuits.

Joaquin Phoenix

This one is better!

Ginnifer Goodwin

I somehow forgot that she's in this movie. Having said that, this dress is surprisingly great.

Ginnifer Goodwin

And this feels like two cute dresses jammed into one sort of confusing dress.

Gael Garcia Bernal

Hey, look! It's Gael Garcia Bernal!

Nora Zehetner

Am I wrong, or is this dress actually really cute?

Ali Larter

Remember what I said about satin???

Nicholle Tom

We truly enjoyed a bustier in 2005, as a Going Out Top Option.

Jessica Alba

It was also, I regret to inform you, a time of culottes. Yes, these are shorts.

Tyler Hilton

I forgot he was in this movie, also! (This movie did not sink in, apparently.) (He was Elvis.)

James Keach and Jane Seymour

I need you to see why these two are present at this event. (Jane looks great.) Ahem: "The film has its origins in a 1993 episode of Dr. Quinn, Medicine Woman. That year, Cash was a guest star on the show, where he and June Carter became friends with Jane Seymour, the star of the show, and Seymour's husband James Keach who was directing the episode. By the mid-1990s, Cash had asked Keach to make a film of his life; he and Seymour began the process with a series of interviews. In 1997, the interviews had been the basis of a screenplay written by Gill Dennis, with input from Keach; two years later, still lacking any studio interest, Keach contacted James Mangold, who had been “angling to become involved in the project for two years.” Mangold and his wife, producer Cathy Konrad, developed the script for Sony, and by 2001, they had a script they thought they could pitch to a studio." I did not expect ANY OF THAT.