
I forgot about this short phase where Garnier had her go brunette. I know it's not how she's best known, but I have to say, I think it looks great on her. Very warm. The SJP of today, of course, would balk at the purse and the shoes and pair them with something WAY cuter. Our shoe girl would put some pep in her own step. Probably laced with glitter.

Of course Diane Keaton is the matriarch in this movie. She is always the matriarch when there is a brood of quirky kids.

"What can I say? I know what pays the bills!" [However, her suit jacket would look better if it didn't button so high, right?]

Kristin thought this event was a funeral for the death of elegance.

Amanda thought it was an ode to the style of Courtney Love.

Ginnifer misread it as The Family's Tone and came dressed as modified color bars. (I actually think this is cute, but save it for summer, when you can nix the heavy tights!)

I look at the rest of the dress, and I think, 'That giant pink stole is hiding something, right? It's TRICKING US."

I owned enough empire-waist tops in this era that I actually DID use some of them as maternity wear when the time came.

Is Dermot's tie too long? It is, right?

This frock looks like you could use that elastic to raise and lower the rest of the skirt.

Now we're in a different city, and SJP looks more like herself -- big volume, tousled hair -- but still needs a shoe intervention. SJP today should invest in a De Lorean and make that happen.

Amy, too, went with volume. Hey, winter's gonna winter; I respect a lady who refuses to be cold.

The bodice on this is cut like her boobs live in her armpits.

This was after The Notebook. Why had no one gotten Rachel some hardcore styling help? I know 2005 was early, but... she was The Next Big Thing at this point, and this outfit is The Last Saddest Gasp.
